![]() If you want to get Vision3 film with the Remjet already removed just buy CineStill 50D or Cinestill 800T. (Vision3 film needs the remjet removing so it can’t be lab developed). I bulk load these 35mm films then cross process in the Tetenol C41 chemicals. This includes Vision3 50D, 200T and 500T films. The top bag of film contains exposed ECN-2 Kodak Vision3 motion picture film. My backlog of exposed colour filmĪbove is a photo of my film to be developed. I have developed a couple of rolls in the lab during that time, for clients, but haven’t done any at home. This probably explains why I have so many film cameras! I’m always testing/ experimenting in search of the ‘ultimate’ camera! Film developing – previouslyįrom the dates on my film developer bottles the last time I did some C41 film developing at home was last July. My head is always buzzing with new ideas so I often skip from one project to the next. I always struggle with not enough hours in a day to do everything I want to achieve. ![]() > Join me on YouTube! No colour film developing for 12 months! Get inspired to try it yourself! If you are looking for a film developing guide you might prefer my more detailed how to develop film at home post! If you want gritty grain, well-tested development times for push and pull processing, or the ability to darkroom print from the negative, it would be best to stick with black & white negative film.Me doing some C41 film developing at home yesterday. If you need b&w film urgently or want to use cheap film to give black & white negatives for scanning, C41 colour films like Kodak Color Plus (ISO200), Agfa Vista 400 or any film from the Fuji Superia range (ISO200 to ISO1600) should be a lower-cost alternative to black & white film, especially if you can get short-dated film over the Internet (short-dated colour film should still be fine for black & white work as any colour shifts over time are irrelevant). This is excellent for scanning but is likely to be problematic for anyone wanting to darkroom-print onto gelatine-silver paper. The wide tonal range and fine grain characteristics associated with colour print film is retained when processed in black & white chemistry, though only a black & white negative is obtained on the orange film base of the C41 film. Although only one film type has been tested it is reasonable to assume that other C41 films will respond in the same way as they are formulated for standard machine processing. HP5 cropped to show grain structure ConclusionĬ41 colour film can be processed in standard black & white chemicals to good effect. The cropped images are an identically-sized area (10 x 7mm) of the frame: The black & white film showed normal tonal range (it was a dull day when both films were shot) but more distinctive grain. Inspection of the films under a loupe showed that the colour negative had low contrast and a long tonal scale together with fine grain this is consistent with expectations for standard C41 processing. The levels were adjusted in Photoshop to give a full tonal range on the histogram but no other manipulation. Vuescan was set to auto-expose and give 2 passes for each frame, which I’ve found significantly reduces noise. The films were scanned using the same scanner and software (Epson V750 and Vuescan). Ilford HP5+ was given 6 minutes at 20C in Rodinal diluted 1+25, 1 minute stop bath, 5 minutes fix. The C41 film was given 18 minutes at 20C in Rodinal diluted 1+25, 1 minute stop bath, 5 minutes fix. I used the same development time for the C41 film as the Massive Dev Chart recommends for Ilford XP2 (a C41 b&w negative film), so if you want to use a different developer go ahead! I had some out-of-date 35mm C41 colour print film (Kodak GC-400, a cheap, consumer-level ISO400 film, no longer available) and wondered what would happen if I processed it in my normal black & white developer, Rodinal (actually ADOX Adonal, which is identical to the original AGFA formula), so I fired off a roll of the colour film followed by a roll of black & white film at the same ISO400 setting, which I processed in the same chemistry for comparison. Not only is it identical to processing black & white film but the fine grain and wide exposure latitude of C41 colour film is preserved in a black & white negative.ģ5mm colour print film can still be obtained in most city high streets, at least in the UK, and provides an available and low-cost alternative to regular b&w negatives for those willing to process and digitise their film. I have had promising results developing colour print film in standard black & white chemicals.
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